Monday, April 20, 2015

Some change(s)

Greetings fair reader(s):

Some big changes have occurred on my end.  After 20 years with a particular company I've decided to resign.  I have moved on to a new adventure and I am not sure, at least at the outset, where that will leave me with as much time to listen and write.  I'll always listen, but putting everything down on the blog might be hard.

Gotta put the feelers out..see if I can even listen to music at work (that too might take time as I "break in").

Still...I try my best to get things up here from time to time.

As always I appreciate you stopping by.

- march

Friday, March 27, 2015

FDF Volume 3 Issue 366 - Silverchair - Freakshow



Album – Freak Show
Artist - Silverchair
Key Players – Chris Joannou – bass. Ben Gillies – drums. Daniel Johns – guitar, vocals.
Produced By – Nick Launay

Release Date – February 3, 1997

Overview - After the massive success of “Frogstomp” the band released this follow up. It was written even while the band was riding the wave of success and they chose to go a bit darker. It was met with positive reviews and the band launched a tour. They'd go on to release three more studio albums before deciding to take a break.

FDF Comments (aka the songs) - The 13 track 49 minute album opens with “Slave” and fans that liked the bands debut are quickly assured things would be the same. The power trio has a heavy, sludge sound on the opening track with start/stop drums and a swampy bass and guitar. “Freak” continues with the big sound and was released as a single from the record. Another single from the record was “Abuse Me” a track that starts off with a more phased out psychedelic guitar. Its a bit more laid back that the prior two songs and Johns has a voice fit for the role. “Lie to Me” has a punk rock romp to it and changes gears for the band which is a nice touch. “No Association” give Joannou a moment up front as he and Gillies build things up. Johns has hushed and dark vocals before he shouts and the band crashes in. It a record that is a slice in time for this era for sure. “Cemetery” was another single that was the “acoustic” side of the band. Typical of the time to show the bands diversity. Its an okay enough song. “The Door” was a song that grabbed me from the very start of this record. Sort of a sitar type sound opening the record, but it just has a tight rowdy groove to it and Johns sounds comfortable with his range. “Pop Song for Us Rejects” is a more acoustic based track that has a campfire sing along element to it. The band uses some strings again to fill in the sound as well, but then stomp on pedals and make everything loud again, which is fine. “Petrol and Chlorine” has the band in full rage mode and they change gears again for “Roses”. The whole record ends strong with a mixture of the heavy to light. Perhaps a bit too often, but overall its a solid vibe.

Where are they now? - The band is currently on an “indefinite hibernation”. The band hasn't ruled out working together but have spun off on various projects and solo efforts.

FDF Overall Take/Was it worth Dusting Off?
It might not have aged the best but its not terrible. These were young kids sort of thrust in to stardom and they turned out okay. A few singles here and there are worthy of your time if you like the straight up rock sound. Dust it off and smile once more, you probably have one of their records in your collection.

Links, find out more, follow em and buy!




Disclaimer – I am just a music fan. Feel free to comment about something that may be written incorrectly about the band/members etc. I strive to have a fun and enjoyable site. This site used to post mp3s but ran in to many issues. The audio clips provided are usually from YouTube. No copy write infringement is intended. Please alert me if something should be pulled. Finally, support the artist featured, or your favorite artist by purchasing their music, seeing their shows if possible and saying hi. They need your support.


Thursday, March 26, 2015

FDF Volume 3 Issue 365 - Alanis Morissette - Jagged Little Pill



Album – Jagged Little Pill
Artist – Alanis Morissette
Key Players - Alanis Morissette – vocals and harmonica. Glen Ballard – guitar, keyboards, programming. Dave Navarro – guitar (You Outta Know). Basil Fung – guitar. Michael Landau – guitar. Joel Shearer – guitar. Lance Morrison – bass (on six tracks). Flea – bass (You Outta Know). Michael Thompson – organ. Benmont Tench – Organ.

Produced By – Glen Ballard

Release Date – June 13, 1995

Overview – It is sort of hard to “forget” a disc that for over 2 years was pretty hard to escape. Of 12 songs there were six singles released to radio. It started a movement in rock and roll. It sold a crap load. It won awards, made her a household name but has the “other” songs on this record gone unnoticed? Lets look. This record will be 20 years old this June! Morissette would release this, her third studio record, after a hiatus

FDF Comments (aka the songs) - Of the 12 tracks 6 of them were released as singles and they charted pretty well both in the US and around the world. “All I Really Want” was actually the sixth single released (not to the US as a proper single, but still if found the radio). The buzzy and grungy guitar set the tone as Morissette attacks the vocals. The drums feel canned some, but there are layers of guitars to match the layers of vocals. “You Outta Know” was the lead off single and you know it, your mother knows it, your Grandmother knows it. Tossing in Navarro and Flea (not sure I ever knew this honestly) was a cool touch to bring even more credit with some bigger names at the time. It still stands up and a song many would ID right away with the sound of the 90s. “Perfect” is the first song you may have forgotten about. A much quieter and acoustic side of her and the band. The vocals do stand out as being solid and the mix is solid with the bass and drums seeming to fill out the space nicely. “One Hand in My Pocket” follows. The amazing thing about this is it reached #1 on US Rock Charts, but didn't even crack the Top 100 for the “Pop” chart. The liner notes are impressive, its just Morissette on vocals and harmonica with Ballard doing the guitars and keyboards. Another track you still hear fairly often. “Right Through You” is another one, not released as a single, and its curious to see a little bit more of a trend as to why. At the start is quiet, but by the chorus it has the urgency of the other tracks. Morrison has a solid bass line, the guitars are pretty rowdy, its really right at home. “Forgiven” is in the same boat. This record really could have been a set of singles to this point and fans would have ate it right up. “You Learn” was the fourth single and “Head Over Feet” was the 5th . They both charted in various countries, Might chart in one place, but not the other, then they'd flip flop. “Mary Jane” is a pretty song with her vocals really a highlight. She seems to hit ranges she didn't want to go down earlier on the record. The band is subtle, in no rush to get anywhere allowing her to shine. “Ironic” follows and is/was her biggest single ever (released as the 3rd single from the record). Charting all over the world and it was nominated for a Grammy award. “Not the Doctor” and “Wake Up” are the final two songs (listed) on the record. “Doctor” is very much like “You Outta Know” with her angst. Wake up is a bit more laid back, but still strong. “You Outta Know” appears again as track 13 and its just an alternative take on it. Buried a bit later is a hidden track called “Your House” which is an acapella track that is worth sticking around for.

Where are they now? - Morissette has had success on and off stage. She has been nominated for awards and won many. She released 5 studio albums beyond this, as well as an acoustic version of this very record on its 10th anniversary. She has appeared in Weeds, Nip/Tuck. Check out her website or wiki page and feel guilty you are not as busy as she!

FDF Overall Take/Was it worth Dusting Off? - Okay okay, as noted you are saying how the heck can a record that had six singles, some of which are still seemingly in heavy rotation and it sold 30+ million copies and awards “forgotten”. I get it, I agree even...but what brings you back around is some of the “other” things she did on this record.

Links, find out more, follow em and buy!



Disclaimer – I am just a music fan. Feel free to comment about something that may be written incorrectly about the band/members etc. I strive to have a fun and enjoyable site. This site used to post mp3s but ran in to many issues. The audio clips provided are usually from YouTube. No copy write infringement is intended. Please alert me if something should be pulled. Finally, support the artist featured, or your favorite artist by purchasing their music, seeing their shows if possible and saying hi. They need your support.

Friday, February 20, 2015

FDF Volume 3 Issue 364 - Honcho Overload - Pour Another Drink




Album – Pour Another Drink
Artist – Honcho Overload
Key Players - Jeff Dimpsey -guitar, Kevin Driscoll - guitar, Bill Johnson - vocals, Mike Rader - drums Matt Talbot - bass

Produced By - Adam Schmitt

Release Date - 1994

Overview – Formed as sort of an “off shoot” of other bands this Illinois band wrote and recorded two records. It was largely a creative outlet for the guys and by 1995 it was over.

FDF Comments (aka the songs) – Nine tracks at just over 40 minutes long opens with “Molasses” and if you are a fan of the early 90's alternative guitar sound this is a great opener. The drums are simple, but tight and Johnson has a baritone voice that slowly begins to resonate and he really shines on this,and through out the record. One of the greatest songs ever comes in “Unicorns and Rainbows”. Honestly, just stream it..the whole thing. You'll see. The guitars, the vocals. Seriously, let it get ripping. What are you waiting for...go now!  “Formula One Headache” has the same urgency with rumbling of drums and chugging bass lines while “She Knows How To Turn off The Sound” seems to have almost a pop/punk feel (but still with those guitars!!) . “Two-Star” has a darker, slower tempo with spoken word and the guitars layered while Johnson sings in a style you'd think he had a hooded sweatshirt pulled up and singing towards the floor.  “Just In Time” is another track that is for guitar lovers, just the layers and layers. How they did this, and kept doing it is what keeps you coming back. The end of this track as Johnson really stretches vocally and the guitars compliment him for a soaring, chills down your spine run. Great track. “Stereoblaster” has a great bass line sort of snuggled under the guitar riffs and again Johnson finds his range and soars above it all. “Bug” is a slower track with Johnson having heavily distorted vocals and a slower drum line from Rader and even the bass feels plodding at times. “Everyone Smiles” is more a muffled solo by Johnson..almost sung in to an answering machine. It sounds more like an “idea” of a song than “a song”.

FDF Overall Take/Was it worth Dusting Off?
There are some really excellent moments here.  I first heard about this band when I called Parasol Mail Order out of Chicago.  The guy that answered the phone that day made this suggestion as I told him I liked the band "Hum" a lot.  Come to find out it was Bill Johnson.  We'd have conversations time and again when I ordered things.  Just a great capture of the time of what I was in to and honestly "Unicorns and Rainbows" is a song you all wish you wrote.

Links, find out more, follow em and buy!
Not a ton out there on these guys, but you can buy/stream the records (buy em!) on
their Bandcamp Page
Disclaimer – I am just a music fan. Feel free to comment about something that may be written incorrectly about the band/members etc. I strive to have a fun and enjoyable site. This site used to post mp3s but ran in to many issues. The audio clips provided are usually from YouTube. No copy write infringement is intended. Please alert me if something should be pulled. Finally, support the artist featured, or your favorite artist by purchasing their music, seeing their shows if possible and saying hi. They need your support.


Friday, February 13, 2015

FDF Volume 3 Issue 363 - Starsailor - Love Is Here



Album – Love is Here
Artist – Starsailor
Key Players – James Stelfox – bass. Ben Byrne - drums, Barry Westhead- keyboards/guitar. James Walsh – vocals and guitar

Produced By – Steve Osborne

Release Date – October 8, 2001

Overview – This is the debut album from the Warrington/Leigh, England based band “Starsailor”. Formed in 2000 at a local college the band didn't have many rolling members. Walsh, who was heavily influenced by singer Tim Buckley suggested the band be called “Starsailor” sharing the same title as an album from Buckley. They'd garner a great reputation as a live band and land a major label deal shortly after. The album was released to critical acclaim and would land at #2 on the UK album charts. Since this debut they've released three additional albums. In 2009 Walsh put the band on hold to focus on a solo effort, but the band reformed in 2014

FDF Comments (aka the songs) – The 11 song 57 minute album is a little deceiving (the final track ends at 3:07 then runs for a while before a hidden track is played). "Tie Up My Hands" opens the alubm up with quiet acoustic guitar playing and some quiet keyboard parts with Walsh singing. It sets the tone for the collection with its pretty and “clean” sound. “Poor Misguided Fool" showcases the work from Westhead as the piano is very much up in the mix. It has a bit more a drive to the track as the acoustic guitar has more of an “attack” but the piano really stands out. “Aloholic” is another showcase for Walsh and Westhead, but Byrne kicks it up a notch after the first verse. “Lullaby” has a bit more layerd guitars and Stelfox is brought up in the mix. Walsh teeters on some falsettos that are just within his range and the chorus has that wonderful 70's folk feel with Westhead going more with organ rather than piano. There is a longer “guitar solo” but what stands out on this track is if you are a fan of Jeff Buckley, how much a resemlence you'll hear in the vocals. After two “uptempo” tracks the band seems to go deep on "Way to Fall" which, per the norm, runs the piano and guitar as the main instruments. After a bit Stelfox seems to take it under his own and before you know it the band opens up with soaring levels on the chorus. “Fever” feels similar. "She Just Wept" is a pretty track that leads with the acoustic guitar and just Walsh singing and as the second verse gets underway more instruments come in giving it that fuller sound. Acoustic guitar and vocals right from the start open
"Talk Her Down" before the band comes in. Again the the mix is strong so nobody really steps on the other. Westhead uses the organ on this track in a dominant role giving the song all the more urgency.
"Love Is Here" is about as much as a ballad could be. The whole record feels like love songs and ballads, but this one in particular. The song that got me in to the band came in “Good Souls”. The vibe of the track with its simple bass line/guitar and Walsh is just fine form really pulls it all together and the chorus just is one of those “fun to sing” along choruses. A dozen years on, this is still the “go to” song off the record. The record ends with “Coming Down”. The song itself is just a bit over 3 minutes long and includes under a minute of humming from the band members. The humming is an alternate take of background accompaniment for the song "
You can listen to the whole record here.

Where are they now? - Since the reformation the band has a played a few live shows and one would only assume they are working on new studio material.

FDF Overall Take – Its been years since I've listened to this record and it is still what I remember it as being, a pretty solid debut. Around this time I was ravenous for “this type” of band. Coldplay, doves they too scratched this itch and Starsailor then came along. It's a nice listen, you could put it on and not offend anyone (dinner party, late evening cookout type setting). Might not be something you toss on to run a road race, but a rewarding listen for sure.

Links, find out more, follow em and buy!





Disclaimer – I am just a music fan. Feel free to comment about something that may be written incorrectly about the band/members etc. I strive to have a fun and enjoyable site. This site used to post mp3s but ran in to many issues. The audio clips provided are usually from YouTube. No copy write infringement is intended. Please alert me if something should be pulled. Finally, support the artist featured, or your favorite artist by purchasing their music, seeing their shows if possible and saying hi. They need your support.


Friday, February 06, 2015

FDF Volume 3 Issue 362 - One Day As A Lion



Album – One Day As A Lion
Artist – One Day As A Lion
Key Players – Zack de la Rocha – vocals, keyboards. Jon Theodore – drums, percussion. Joey Karam – keyboards, organ

Produced By - Mario C (mixed)

Release Date – July 22, 2008

Overview – This was a duo formed by Zack de la Rocha (Rage Against the Machine) and Jon Theodore (drummer for the Mars Volta at the time). The two basically just got together for some loose jam sessions that spawned the record. They later added Karam to the band to fill out the sound. They'd release this lone EP and play a few live shows.

FDF Comments (aka the songs) – The record is not very long at all. Just 5 songs running just over 20 minutes. It wastes no time setting the tone as “Wild International” kicks off the record. The driving tempo is almost a simple back beat, but it is the urgency in the delivery from de la Rocha. His style is hard to miss. The low keyboard drones set an haunting tone as they swirl with Theodore’s increasingly urgent drumming. “Ocean View” has a buzzy, almost industrial intro but the tom toms on the drum kit are hit. Both heavily and often. It remains heavy, but as de la Rocha hits the chorus it seems a bit lighter, but really it is not. “Last Letter” continues with the showcase of Theodore. "If You Fear Dying" seems to stand out above the other tracks. Granted it is still similar in its pace and overall feel, it just seems the duo is all the more “on fire”. The record concludes with the title track "One Day as a Lion" The keyboards seem to have more of an active role replicating both guitars and bass. A full sounding track and its hard to keep remembering its no more than three guys.
 
Where are they now?   For de la Rocha its been a long wait for the solo record he has been speaking of since the demise of Rage Against the Machine. He even got back with RATM for some live shows in recent years. I have reason to believe fans will wait, and snatch what they can when its ready. Karam continues to work as a session player. Theodore worked tirelessly in a series of bands and has since become a full time member of Queens of the Stone Age.

FDF Overall Take/Was it worth Dusting Off? - If you are a fan of RATM or The Mars Volta's early stuff sure. Its a fun quick and easy record to take in.
 
Links, find out more, follow em and buy!



Disclaimer – I am just a music fan. Feel free to comment about something that may be written incorrectly about the band/members etc. I strive to have a fun and enjoyable site. This site used to post mp3s but ran in to many issues. The audio clips provided are usually from YouTube. No copy write infringement is intended. Please alert me if something should be pulled. Finally, support the artist featured, or your favorite artist by purchasing their music, seeing their shows if possible and saying hi. They need your support.


Friday, January 30, 2015

FDF Vol 3 Issue 361 - Eric Clapton - 461 Ocean Boulevard.





Album – 461 Ocean Boulevard
Artist – Eric Clapton
Key Players -Yvonne Elliman – vocals. Dick Sims – Keyboards. George Terry -Guitars and vocals. Carl Radle – bass. Jamie Oldaker – drums. Albhy Galuten – syth, piano and clavichord. Eric Clapton – vocals, guitar, dobro.

Produced By – Tom Dowd

Release Date – July 1974

Overview - This is the second solo studio album from Eric Clapton. Clapton was coming off heroin addiction at the time and holed up in a home studio (the name of the record) near Miami Florida. Mostly inspired by a demo tape he was passed from former Derek and The Dominoes bassist Carl Radle. One of the members of Claptons band at the time was listening to Bob Marley's “Burnin” record and, with some pressure Clapton decided to record and release it. It would become his only Billboard #1 single. The album it self features many cover songs and re-arrangements.

FDF Comments (aka the songs) – The 11 track 43 minute album opens with an uptempo take on
“Motherless Children”. Clapton is in fine form and the backing band is up to the task holding down the groove. “Better Make it Through Today” is a quiet stroll while the Johnny Otis penned “Willie and the Hand Jive” still has its fun funky blues riff, but the vocals and overall tempo are held in check.  “Get Ready” features strong work with Clapton and Elliman vocally. Its the first track you can really hear her in more than just a backing vocalist role. “I Shot the Sheriff” is the cover you can still hear pretty regularly. Clapton then takes on the Elmore James track “I Can't Hold Out”. Its no denying the blues are, and were a huge part of Claptons influences. “Please Be With Me” has some nice harmonies with Elliman and dobro playing. “Let it Grow” is another track that still finds it's way on to classic rock radio today. “Steady Rollin' Man” is the bands take on the Robert Johnson tune and again the organ and “Mainline Florida” ended the original LP and it is full of long organ runs. “Give Me Strength”was an additional track added to the cd release. Another track with some organ an slow dobro playing by Clapton.

Where are they now? -Elliman, who was well know for the song “If I Can't Have you” stepped back from the music industry to focus on herself and family. She released a record in 2004. Terry worked as a producer and released a record in 2004 as well. Radle passed away in 1980 at age 37. Oldaker would continue to work with Clapton for much of the 70's and get back with him again in the 1980s. He's worked as a producer and session musician. Eric Clapton continues to write, and tour. He is slated to do a residency in England this May to celebrate his 70th birthday.

FDF Overall Take/Was it worth Dusting Off? - I have to admit that I am a very VERY casual fan of Eric Clapton. What I like and find interesting I really like. There is no denying he is a spectacular guitar player. That being said I'd reach for a Cream or the out takes disc from the Derek and the Dominoes box set first. This album isn't that bad, you can recognize a few of the tunes easy enough and it is not so terrible you wouldn't toss on from time to time.



Links, find out more, follow em and buy!

Official Site




Disclaimer – I am just a music fan. Feel free to comment about something that may be written incorrectly about the band/members etc. I strive to have a fun and enjoyable site. This site used to post mp3s but ran in to many issues. The audio clips provided are usually from YouTube. No copy write infringement is intended. Please alert me if something should be pulled. Finally, support the artist featured, or your favorite artist by purchasing their music, seeing their shows if possible and saying hi. They need your support.